Because not only does Cal resent Nate for existing, he's also jealous too. While we don't see what comes next, baby Nate's arrival seems to signify the end of Cal's happiness from this point on - especially if his behaviour in the present is anything to go by.Īnd so continues the cycle of hate from father to son, both inward- and outward-facing. So with that, Cal's dream of a new life with Derek, or at least one where he can live his true self, is shattered. And most importantly of all, the baby is his.
She's pregnant, and yes, she has taken multiple tests to make sure. Which is what makes the following scene so hard to bear.įollowing that unforgettable night, Cal wakes up to a call from Marsha. It's raw, and it's beautiful, and it's easily going to be looked back on as one of this show's most tender moments. Finally, Cal is able to act on his love for Derek. Despite all of the uncertainty - and so much denial - the true nature of their feelings for each other are made tangible. Inevitably, years of sexual tension and the pain of imminent loss coalesce into one heartfelt, intimate burst of passion. But is that the only reason they're there? Fuelled by one too many tequila shots, the pair suddenly get close on the dance floor, acting out their confused feelings to the soundtrack of INXS's 'Never Tear Us Apart'. Eventually, right before the pair are destined to leave each other - and adolescence - behind for good, they decide to spend one last night together as best friends following graduation.ĭerek leads Cal to a remote gay bar because this is one of the only places that will serve them underage drinks. Euphoria sex scene flips the script on GOTīut the intensity of his love for Derek never truly goes away, no matter how many times he forces those feelings down deep inside.One of Euphoria's patented sex montages goes out of its way to show Cal lose himself in the company of his future wife, Nate's mother Marsha. That's not to say he isn't enjoying himself. To fit in, Cal pushes his feelings aside and focuses his attention on a woman instead, just like so many other young queer men have done in the past. In this scene, the judgemental gaze of Cal's dad burns itself into his memories, and you can practically see the cycle of paternal abuse and neglect form here right before your eyes. And it's not long before this is confirmed when Cal's gaze lingers on Derek's crotch at a stoplight.īut societal pressure soon does its thing and before long Cal learns to hide his feelings, just like he has to hide that awkward boner from his father right after Derek leaves. You can practically see their affection bulge out of those singlets. "Her makeup accompanies this by being less playful and more 'I don't give a fuck' this season.But sweaty and extremely physical wrestling montages hint that there might be more to their camaraderie than mere friendship. She goes through the classic high school moment of chopping off her long hair, which can be a big statement for a teenage girl," Davy said. The makeup artist also told Byrdie that the character's makeup "portrays a peeling away of feminine layers and a big moment of transition for her." "Hunter said these shapes reminded her of a 'MERMAID PURSE,' which is a dark leathery encasement that protects a developing shark embryo," Davy revealed on Instagram. Jules' angular eyeliner reflects her darker state of mind. The season two premiere, "Trying to Get to Heaven Before They Close the Door," takes place shortly after her therapy session. She also says she wants to be "as beautiful as the ocean." In a special episode that aired last year, Jules tells her therapist that she's heartbroken and questioning her perception of femininity. Throughout season one, her eye looks get darker and harsher and she grows more anxious. Hunter Schafer's heroine Jules is daring and expressive with makeup. Account icon An icon in the shape of a person's head and shoulders.
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